SONGS for our next show....

Here's a link to slatts' blog on Live-Journal, where he talks about the songs for the Walter Mittys' next show:

http://slatts.livejournal.com/737860.html

McFadden's Gig set list

Here's the songs we'll be playing at our gig next Saturday night (March 26):

One After 909 Beatles
Dead Flowers Rolling Stones
Angel From Montgomery Prine/Raitt
Ten Little Indiscreets original
Evangeline Band
All The Way To Jericho Guords
Cry To Me Prof.Longhair
Big Trouble original
Sea of Heartbreak Johnny Cash
Big Weekend Tom Petty
You Do A Good Blue original
Jockey Full of Bourbon Tom Wait
Honey Don't Perkins/Beatles
Reconsider Me Etta James
Free Table original
Train Train Blackfoot
Riptide original
Jack Daniels original

Spider Web Joan Osborne
Get Rhythm Johnny Cash
Fisherman's Blues Water Boys
I've Been Good To You Baby CJ Chenier
Don't Think Twice Dylan
Train to Cry Dylan
Wild Nights Van Morrison
Unforgiven Bap kennedy
Struck Los Lobos
Rock Me Slim Harpo
Would Be Blue original
Flip Flop & Fly Big Joe Turner
Matchbox Carl Perkins/Beatles

Incognito original
Fool Who Knows Little Village
Drink That Whiskey Quickly original
In My Time Of Dying Traditional
That's How Strong My Love Is Otis Redding
Dirty Old Town Pogues
Jolie Jolie Rickie Lee Jones
Bad Moon Rising CCR
You Ain't Going Nowhere Dylan
Give It Up Bonnie Raitt
Tear My Stillhouse Down Gillian Welch
Breeze JJCale
Ti Na Ni Na Nu Slim Harpo
I Got Loaded Los Lobos

Set list is set...

Here's the set list for our gig at Snowzee's on Friday January 14th....

Honey Don’t Slatts on lead vocals and bass. Sonia on sax. Jim on guitar. Paul on drums with back-up harmony.
Dead Flowers Jim on lead vocals and guitar. Sonia on sax and harmonies. Slatts on bass, Paul on drums—both with back-up vocals.
Ti Na Ni Na Nu ** Paul on lead vocals, here, and drums. Sonia on sax. Jim on guitar. Slatts on bass.
Angel From Montgomery Sonia on lead vocals and guitar. Jim on lead guitar. Paul on drums and harmony. Slatts. on bass.
10 Little Indiscreets Slatts on lead vocals and bass (also, the author of this song). Sonia on guitar. Jim on lead guitar. Paul on drums and harmony.
Cry To Me Jim on lead vocals and accordion. Sonia on guitar, Paul on drums—both with back-up vocals. Slatts on bass.
Big Trouble Sonia sings lead vocals and plays guitar on her original song. Paul plays drums and sings harmony vocals. Jim on accordion. Slatts on bass.
Unforgiven Paul has lead vocals, here, and plays drums. Sonia on guitar and harmony vocals. Jim on lead guitar. Slatts on bass.
Jockey Full of Bourbon Jim on guitar and lead vocals. Sonia on sax. Paul on drums and harmony vocals. Slatts on bass.
Reconsider Me Paul on drums and lead vocals. Sonia on harmony vocals and sax. Jim on guitar. Slatts on bass.
Free Table * Sonia sings lead vocals and plays guitar on her second original song of this set. Paul on drums, Jim on lead guitar, Slatts on bass—all with back-up vocals.
Train Train Sonia on lead vocals and guitar. Paul on drums and harmony vocals. Jim on lead guitar. Slatts on bass.
Jack Daniels Slatts sings lead vocals and plays bass on his second original to close the first set. Jim on piano. Sonia on guitar, Paul on drums—both with back-up vocals.


Spider Web Sonia opens the second set on lead vocals, percussion and sax. Paul plays drums and sings back-up vocals. Jim on guitar. Slatts on bass.
Get Rhythm * Jim sings lead vocals and plays guitar. Paul on drums with harmony vocals. Sonia on sax and harmony vocals. Slatts on bass.
Give It Up Or let Me Go ** Sonia on lead vocals and guitar. Jim on accordion. Paul on drums, Slatts on bass—both with back-up vocals.
Fisherman’s Blues Sonia on lead vocals and guitar. Jim on accordion. Paul on drums, Slatts on bass—both with back-up vocals.
Don’t Think Twice, It's Alright * Paul on lead vocals and drums. Sonia on sax and harmony vocals. Jim on guitar. Slatts on bass.
...It Takes A Train To Cry Slatts on lead vocals, bass and harmonica. Paul on drums, Sonia on sax—both with harmony vocals. Jim on guitar.
Wild Nights Sonia on lead vocals and guitar. Paul on drums, Jim on guitar, Slatts on bass—all with back-up vocals.
Struck Jim on lead vocals and piano. Sonia on sax and back-up vocals. Paul on drums. Slatts on bass.
Rock Me Paul on lead vocals and drums. Sonia on sax, Jim on piano—both with back-up vocals. Slatts on bass.
Would Be Blue ** Slatts on lead vocals and bass with his third original song for the evening. Sonia on sax, Jim on guitar—both with harmony vocals. Paul on drums.
I Got Loaded Jim on lead vocals and guitar. Sonia on sax, Paul on drums, Slatts on bass—all with back-up vocals.
Flip Flop Fly * Paul on drums and lead vocals. Sonia on sax, Jim on guitar, Slatts on bass—all with back-up vocals.
Matchbox Slatts on lead vocals and bass. Paul on drums and harmony vocals. Sonia on sax. Jim on guitar.



* New song—never performed before.

** "New song" to Snowzee's.

Countdown to Showtime!

Last Night at Band Camp...
With the holidays and other down time, it's been like three weeks since the Mittys made music together. Thus, rehearsal last night had some rough spots. Some real. Some perceived. All in all, the playback sounded good.

One more rehearsal til showtime next Friday night at Snowzee's in Sunderland.

Quite a few "new" songs. Some actual new—never heard by any audience before. Others "new" that haven't been on set lists for more than a year.

My fingers are sore. And my voice gave out on the last two songs. But that's "rust" from lack of rehearsal. We're gonna be in great shape next Friday.

I, for one, am looking forward to it. I hope you can be in the audience.

~slatts

A lesson in Time and Distance

It must have been quite a productive evening, Last Night at Band Camp, as I was unable to hear the whole playback of the recorded session. My trip home from rehearsal space to my driveway is just under an hour. Lately, the recordings have been long over by the time I turn off my ignition. Granted, we are known to play takes without the tape rolling. And last night's recording included three takes of DRINK THAT WHISKEY QUICKLY.

But...

Last night was also the first night of the 2010-11 Winter Crappy Weather season, so there were a number of parts in my journey home that were slow going—it was more than an hour's ride home.

Must have been a productive evening...


~slatts

Last Night at Band Camp...

We got a little bit of a late start seeing as we seemed to have an important birthday to celebrate (who is this "bossman?").

We all picked songs we sang for our warm-up. And as we are preparing for the 2011 schedule with gigs ranging from an hour to four, we've begun to make our choices from some songs we haven't played in quite some time.

We started with Would Be Blue an original I wrote back in the Sweet Militia days—one that the Mittys have revisited with a funk-flavor. We did this one last week but I wanted to nail it as I'd like to use it in January at our gig at Snowzee's.

Next up was Sonia with Tear My Stillhouse Down. For a song we haven't visited in some time, this came out well.

Jericho was next with Paul on lead vocals. This is a song we kept on most if not all of our set lists for 2010—so, it came naturally.

Last was Sea of Heartbreak, another song in constant rotation during 2010—it was flawless. Jim on lead vocals, here.

Then we began the "new song" section of the rehearsal starting with our new take on Dylan's Don't Think Twice It's Alright via Mike Ness' (of Social Distortion) version. I can now officially say, we have moved from that version as an influence to one that is 100% Walter Mittys.

Then we did a take of Get Rhythm. We had prepared this for our October show at Snowzee's but ran out of time so didn't perform it. We're working on a new ending—which you may or may not get to hear next year.

We wrapped up the evening with a brand new song for Paul in the Big Joe Turner classic Flip, Flop and Fly—this song is going to be a "blues-rocker" if this early take is any indication—looking forward to fleshing this one out!

Well, that's it for Last Night at Band Camp...

What was THAT???

Some weeks ago, we moved our recording mic to the other side of our rehearsal space—opposite side of my amp. And though the bass fills the room quite well "live," the recorded versions of late have thrown my guitar very low in the playback mix. As I use these recordings to "rehearse"—reviewing my part and how plays with the rhythm section—during the week, I've had to resort to maxing out my car radio with the bass setting at 6 (yeah, no 11 on this amp) and even this hardly works.

So, I was driving home last night reviewing the night's work. We had another recording snafu that put the output levels of the first half of the session at a very low overall volume. The warm-up songs of our versions of WILD NIGHTS and GET RHYTHM along with the two originals, FREE TABLE and 10 LITTLE INDISCREETS needed to be cranked to even be heard. This problem seemed to be fixed when we got to the first run throughs of our "new" songs DON'T THINK TWICE and Sonia's original DRINK THAT WHISKEY QUICKLY.

Still, the bass was in that "buried" spot on the playback.

But suddenly, my iPod moved to the next track and BLASTING out my CRV's speakers was the heaviest of low E to G - A riffs imaginable! The BOOM nearly shook my little car off the interstate!

What was THAT!?!

Turns out a "somewhat old" recording was downloaded in the mix of recent rehearsal takes. The Mittys were working their heavy-blues-groove stuff on a rearrangement of the classic Berry Gordy tune, MONEY. It was wild! One take had Jim playing tremolo drenched guitar til the second solo when he switched to keys (the first solo in the rough arrangement was a sax solo "played" by drummer Paul in a "wah, wah, wah" scat on the mic). I mean, these two takes were out-of-the-vault as one had former Mitty, Laura Jacques singing back-up (she quit the band over two years ago).

So, that was THAT.


~slatts

"It's been a LONG time!..."

Last time I entered a posting here, we were preparing for our debut at SNOWZEE'S! That went quite well and now we're prepping for our return engagement on October 15th.

In between that time, we played a "live on the lawn" show at Gallery 38 in Turners Falls and "other outdoor show"—ARTSfest in Northfield, MA. Both shows, too went quite well! The former—our first outdoor gig where we had to be our own sound crew and the latter—our first show with a substitute palyer—drummer, A.J. Lapinski.

Like I said, both shows rocked—we were quite pleased.

But I wanted to post about something more than just an update.

Last night at Band Camp, we worked on two new original songs to debut are our next show at SNOWZEE'S. And listening to the play back this morning, I could help but think of the days of 45 rpm records. If we were a band back then, we would take Sonia's groovy-blues-based song, "FREE TABLE" and record it as our A side. My straight-ahead "old rock n' roll" ode to "TEN LITTLE INDISCREET LOVERS" would serve as the B side.

Well, such was my little daydream on the way into work...

Maybe you should come check 'em out on Friday October 15th, yes?

"I've got nothing to say—but it's OK..."

And so, if I don't see you tomorrow at the show—catch you next time in cyberspace.

They drew a small crowd...

Well, actually—I did.

At Monday's "dress rehearsal" during one of the instrument changes—when Sonia put down her guitar and picked up her sax and Jim, his accordion for the piano—I made a small joke about 'the game' that is facebook's Invitations to Events, saying "We have five confirmed "Will Attend" guests—but two of them are band members."

Later in the evening, during a similar pause, I went up to the dry-erase board that hangs from a brick pillar a couple feet in front of my microphone and I scribbled three stick people with cheering smiles—one with his hands in the air.

"There!" I exclaimed, "Our audience!"

I'd say the van is packed...

...only, the van is gone. The CRV and RAV4 will have to do.

And they did.

Good thing there's a house PA.

So, now the COUNTDOWN is purely logistical. That and any personal preparation the members of the Walter Mittys must conduct before our debut this Friday at Snowzee's.

See you there!

The COUNTDOWN to SHOWTIME begins!

Well, this is it.

Our debut at Snowzee's is this Friday.

Tonight, very well could be our "dress rehearsal." We have Wednesday penciled-in but I'm not figuring we'll need it. Listening to the play backs of the recorded rehearsals sounds good. The band is ready for a live performance.

Our last show was the benefit gig in January with the Bum Steers. Our next show is a gallery opening in August.

But here comes our very next show!




Visit our website: www.TheWalterMittys.com

Set list is set...

More or less. And this is what it's looking like:

Jolie, Jolie (Rickie Lee Jones)
Cry To Me (Professor Longhair)
Jericho [as recorded by the Gourds]
In My Time Of Dying (traditional)
You Do a Good Blue (Sonia Barrera)
Jockey Full of Bourbon (Tom Waits)
Reconsider Me [as recorded by Etta James]
One After 909 (Lennon - McCartney)
Big Weekend (Tom Petty)
Big Trouble (Sonia Barrera)
Dirty Old Town [as recorded by the Pogues]
Dead Flowers (Jagger - Richards)
Honey Don’t (Carl Perkins)
Angel From Montgomery (John Prine)
Don’t Think Twice It's Alright (Bob Dylan)
Riptide (Sonia Barrera)
Jack Daniels (Kevin Slattery)
Tom Thumb’s Blues (Bob Dylan)
Evangeline [as recorded by the Band]
Bad Moon Rising (John Fogerty)
Fisherman’s Blues [as recorded by the Water Boys]
Train Train [as recorded by Dolly Parton]
Matchbox (Carl Perkins)
Struck [as recorded by Los Lobos]
Rock Me (Slim Harpo)
Spider Web (Joan Osborne)
Unforgiven (Bap Kennedy)
I Got Loaded [as recorded by Los Lobos]
Sea of Heartbreak (Johnny Cash)
They Call Me The Breeze (J.J.Cale)
...It Takes A Train to Cry (Bob Dylan)

P.S. We have a new website (though it just may lead you back to here—you'll see what I mean—visit us!)

http://www.theWalterMittys.com

"I'm So Tired..." "Another Cup of Coffee..."

Those and similar songs will be my soundtrack today.

Late night at "Band Camp" going through our initial dress rehearsal of material for our show at Snowzee's at the end of the month. I suppose everything went as suspected—those few songs that we haven't played in some time and their rough edges that will need to be smoothed out and those other songs that just roll out like everyday conversation—I suppose.

As everything went so late last night, I didn't wait around for the recording to finish downloading to my iPod for my listening review on my ride home.

Yes, that review of what happened "last night at Band Camp" will have to wait. For the moment, it's time for "another cup of coffee before I go into the valley below..."

LISTEN to this....

You may have heard about our "demo" CD? The show it came from? The art and the changes it went though? Well, now on our MySpace page you can hear 10 of the twelve song samples.

Check it out!

http://www.myspace.com/thewaltermittys

Call it "Spring Cleaning"...

Last night at Band Camp, we ran through the eight-song Fire Drill Sonia created from our master list of songs we have performed. As we attempt to ready ourselves for a more active pursuit of live performances, this seemed like a good way to keep our backlog well-rehearsed. And it proved to be just that—some songs have not "been played in awhile!" Most humbling.

Then we tried to divide and assign a process for "those other songs." The songs that are in-progress in one stage or another. The "almost there" songs. And the "still-early-in-the-process" songs.

Maybe a little too much "business" in proportion to music for a night in the rehearsal space but I think we have the pieces in place. And to borrow a song title to sum it all up: We Can Work It Out!

"Time it moves so fast..."

Maybe later for that song (an old original titled "Remember What To Say").

It was like Spring Cleaning at Band Camp, last night. Time to take stock of all the songs we started and didn't quite finish before we moved on to the next.

Sonia recorded them into our mast set list while I scrawled them onto our swipe-board.

Two takes each. We moved from "Evangeline" to "All Over Now." And because Jim had the accordion on, it made sense to hit our bayou-version of "Last Hard Bible."

And we closed the night with "Tom Thumb's Blues" (and very nice piano part on that).

That was just a small dent in our effort to "finish up them songs." I can see some busy—but productive—rehearsal nights ahead.

~slatts

P.S. Speaking of songs, don't be singing a sad tune this weekend on Mothers' Day—check this out: www.kslatts.com/beatles_sale_.html

Jack Daniel's Scat

What do you do when you ain't got your piano player and you need to fill a 32-bar solo?

You scat.

That's what I did, Last Night at Band Camp...

Nursery Rhyme ROCK

I sent this email to my band mates yesterday...

Sooo....

Does the idea of a song based on the words and melody of a nursery rhyme make you nervous? Maybe even, downright freak you out?

If not, I've been overdosing on this full moon of late and Sunday afternoon a weird notion came to me. I heard TEN LITTLE INDIANS in a song. A different song. A Mitty's song. One where Sam the Sham meets swamp. Tom Waits does Nursery Room Nightmares.

Still with me?




Here's the lyrics and chords (I'm thinking A but I put them in Roman Numerals so we can change if necessary):
TEN LITTLE INDISCREET LOVERS
(I) One little, Two little, Three little indiscreets
(V) Four little, Five little, Six little indiscreets
(I) Seven little, Eight little, Nine little indiscreets
(V) Ten little indiscreet (I) lovers

(I) One found out that life gets lonely
(V) Two forgot their one and only
(I) Three must flee from matrimony
(NC) Four don't care what people say.

CHORUS

(I) Five contrived when they quit trying
(V) Six save time and spent more lying
(I) Seven don't see no sense in crying
(NC) Eight won't wait for sunny day

CHORUS

(IV) Nine is fine with doing time
(I) Mine all mine right down the line
(IV) But time and time and time again
(V) Nine ends up with Number Ten!

CHORUS
(I) Ten little (V) indiscreet (I) lovers
(I) Ten little (V) indiscreet (I)


I didn't lose them. No doubt, there was some caution.

It was only the three of us as Jim was out sick. Once we determined the actual key (not A but F#), Paul aptly set a cajun beat going. That was abandoned for a more straight-ahead rock count. The middle-eight got repeated after a space for an instrumental break—and we had it!

A twisted little hillbilly-rock take on a classic nursery rhyme. Maybe you'll get to hear it soon.

It's GOOD to be back!

Last night's FIRE DRILL* had two fairly "new" songs by Sonia and Paul—"Jolie" and "Don't Think Twice," respectively— and two songs offered up by Jim and myself that dated to 'the elements**' -era with "909" and "Struck."

Everything felt good.

The second half brought some fine-tuning to our take on the Band's waltz, "Evangeline." A re-introduction to Sonia's original, "You Do Good Blue." A new take on another elements-era cover of Cash's "Get Rhythm." A re-worked drum part—more bayou-style "train-rhythm"—to "All Over Now." Some polishing up (sans coughing fit of last week's recording) of "Wild Nights." And a great closing song choice in "Jericho."

Listening to the playback on my rainy ride home last night, I thought—it's GOOD to be back!




* FIRE DRILL is our name for the warm-up songs we start a rehearsal off with—just like a fire drill—play it like a gig, no stopping.

** the elements (intentionally lower-case) was the name of a band (1999 - 2003) where Jim, myself and Sonia first met, musically. Our set list still contains many—since re-worked—songs from that band.